Sexuality in Islam Essay Example | Topics and Well Written Essays - 1250 words

Kohler Scholarship Essay Samples - Learning From the Experts

Kohler Scholarship Essay Samples - Learning From the ExpertsKohler scholarship essay samples are the most important tool for every student when he is applying for a scholarship. It is said that Kohler Scholarship Essay examples are the best tools in winning a scholarship because of their variety and accessibility. Kohler scholarship essay samples are user-friendly and easy to read because they are written by experts who also have a good command of English language.If you search on the internet, you will find hundreds of Kohler scholarship essay samples in different formats which can be downloaded in the computer without any problems. You can access these sources from the comfort of your home, so that you don't have to waste money to travel to a library or bookstore and buy books. Most of the people use Kohler scholarship essay samples to edit their own essays because it saves them a lot of time and money.The best thing about Kohler scholarship essay samples is that they are updated e very day so that you can expect new versions of the same article each day. This way, you are assured that the articles are always fresh and new. You can save money since you don't have to wait for your free articles to be published before you can distribute them to your classmates.If you are serious about improving your English writing skills, then I recommend using the Kohler essay samples every single day. You can start by reading through the article and reviewing all of the sentences that you want to correct. After you finish the practice and edit your own essay, you can write your own articles and submit them to Kohler scholarship essay samples.To access the Kohler scholarship essay samples, just click on the link below. There are many Kohler scholarship essay samples online and all you need to do is search for them.The next thing you need to dois to brush up your English vocabulary by reading and reviewing new knowledge. You can also prepare yourself with some question papers o r tests so that you can prove that you are capable of being competent in English language.While writing your scholarship essay, always keep in mind that you should not forget your academic background or previous writing experience. Remember that it is your academic background that will help you write your essay.It is not enough that you know how to write your scholarship essay. You should also make sure that your scholarship essay is well-written and free from grammatical errors. Keep in mind that once you have finished editing your essay, then it will be harder for others to critique your essay and tell you what's wrong.

Fresh Ink New Books Out Today October 9, 2012

Fresh Ink New Books Out Today October 9, 2012 Its been a season of Big Meaty Fiction so far, and dont get me wrongI love Big Meaty Fiction. But the new releases Im most excited about this week are nonfiction. Learn some stuff! Make some stuff! Use your noodle! The Blue Bottle Craft of Coffee by James Freeman, Caitlin Freeman, and Tara Duggan (Ten Speed Press) One of the loveliest moments of my year so far was spent  reading a book on The High Line, sipping a New Orleans iced coffee from Blue Bottles Chelsea location while I recovered from Book Expo. These folks know what theyre doing, and theyre all about demystifying the process. Because good coffee can and should happen at home! This beautifully illustrated book covers coffee sourcing, roasting techniques, instructions for brewing and serving, and recipes for delicious food pairings. It would make a terrific gift for the coffee lovers in your life, and at $24.99 in hardback, its a steal compared to many cookbooks. Heres to drinking good coffee (and not having to leave your houseor even put on pantsbefore your first shot of caffeine in the morning). Born This Way: Real Stories of Growing Up Gay edited by Paul Vitagliano (Quirk  Books) Inspired by the popular site of the same name, this book presents short essaysvignettes, reallyabout growing up gay. Famous faces like Representative Barney Frank, Perez Hilton, and Sia Furler appear alongside everyday people telling the stories of when they knew they were gay (most were pretty young) and how they came out. Some of these pieces are sad. Some are heart-warming. Each is inspiring in its own way. And they create a whole that emphasizes our common humanity and provides one more way to support and encourage young LGBTQ people. Some Girls, Some Hats and Hitler: A True Love Story Rediscovered by Trudi Kanter (Scribner) First, the true love story part. In 1938, author Trudi Kanterwho was then a hat designer for Viennas most fashionable setmet and fell in love with a young businessman named Walter Ehrlich. When Hitlers troops invaded Austria, Trudi and Walter fled, going from Vienna to Prague to London in search of a safe haven. This is their story. Now for the rediscovery. Kanter, who died in 1992, originally published this story in 1984 in London, but it failed to find an audience and quickly went out of print. A British editor plucked it out of obscurity last year, and now we have the chance to read it. Take the chance now, while you have it. Make room in your heart for one more Holocaust memoir. This ones worth it. There Was A Country: A Personal History of Biafra by Chinua Achebe (The Penguin Press) If all you know of Chinua Achebe is Things Fall Apart, heres an opportunity to understand the defining experience of his life. Achebe combines history and memoir in this book about the Nigerian civil war (about which, I must confess, I know next to nothing). I havent started it yet, and I can hardly wait. It promises to be challenging, educational, and beautifully writtenId expect nothing less. What new releases are you excited about today? Sign up for True Story to receive nonfiction news, new releases, and must-read forthcoming titles. Thank you for signing up! Keep an eye on your inbox.

Irregular First-Conjugation Italian Verbs

Many important Italian verbs, like â€Å"fare - to do / to make† or â€Å"essere - to be,† are irregular, which means they don’t follow the regular conjugation patterns (infinitive stem endings). They may have a different stem or different endings. Three Irregular First-Conjugation Verbs There are only three irregular first-conjugation verbs (verbs ending in –are): andare—to godare—to givestare—to stay FUN FACT: The verb â€Å"fare† is derived from facere, a Latin verb of the second conjugation, so it’s considered an irregular second conjugation verb. DARE In the present tense, â€Å"dare† is conjugated as follows: dare - to give io do noi diamo tu dai voi date lui, lei, Lei d essi, Loro danno STARE In the present tense, â€Å"stare† is conjugated as follows: stare - to stay, to be io sto noi stiamo tu stai voi state lui, lei, Lei sta essi, Loro stanno The verb â€Å"stare† is used in many idiomatic expressions. It has different English equivalents according to the adjective or adverb that accompanies it. stare attento/a/i/e—to pay attentionstare bene / male—to be well/not wellstare zitto/a/i/e—to keep quietstare fresco—to get in trouble, be in for itstare fuori—to be outsidestarsene da parte—to stand aside, to be on one sidestare su—to stand (sit) up straight / to cheer upstare a cuore—to matter, to have at heartstare con—to live withstare in piedi—to be standingstare in guardia—to be on ones guard Here are some other examples: Ciao, zio, come stai?—Hi Uncle, how are you?Sto bene, grazie.—Im fine, thanks.Molti studenti non stanno attenti.—Many students dont pay attention. ANDARE In the present tense, â€Å"andare† is conjugated as follows: andare - to go io vado noi andiamo tu vai voi andate lui, lei, Lei va essi, Loro vanno If the verb â€Å"andare† is followed by another verb (to go dancing, to go eat), the sequence andare a infinitive is used. â€Å"Andare† is conjugated, but the second verb is used in the infinitive. Note that it’s necessary to use the preposition â€Å"a† even if the infinitive is separated from the form of andare. Quando andiamo a ballare?   - When are we going dancing?Chi va in Italia a studiare? - Whos going to Italy to study? When you’re talking about means of transportation, you would use the preposition â€Å"in† after the verb â€Å"andare.† andare in aeroplano—to flyandare in bicicletta—to ride a bicycleandare in treno—to go by trainandare in automobile (in macchina)—to drive, to go by car Exception: andare a piedi - to walk As a general rule, when andare is followed by the name of a country or a region, the preposition â€Å"in† is used. When it’s followed by the name of a city, the preposition â€Å"a† is used. Vado in Italia, a Roma. - Im going to Italy, to Rome.Vai a Parma†¦ in Emilia Romagna, vero? - You’re going to Parma†¦ in Emilia Romagna, right?

Introduction Of Manufacturing Scheduling Process Essay

†2 Introduction Introduction to manufacturing scheduling In the real world, it is necessary for any manufacturing system, production system, even service system to create an effective schedule able to overcome any change that may happen in the environment in order to continue in the competitive world. Scheduling can be denoted as the process of assigning a set of activities to resources of finite capacity over limited time. Scheduling process aims to sequence the activities and states their releasing time on each machine to satisfy the desired performance criteria while considering the capacity and technological constraints[1]. Most of the manufacturing companies work on streamlining their production processes, meeting their customers requirements and accommodate the high variety of demands. Therefore, there was a big need for a job shop. Further, it is necessary to develop scheduling technique able to improve different objectives of scheduling such as makespan, machine utilization, meeting due dates, etc. Over the years, many methods were developed in seeking to improve scheduling processes such as hand-made scheduling, whiteboards, spreadsheets, and advanced methods. Hand-made scheduling was the spontaneous method that appeared in scheduling environment. First come first serve (FCFS) is an example of hand-made scheduling, it is usually used when the jobs don t affect on the main purposes of the company, or the jobs don t have a due date. Hand-made scheduling hasShow MoreRelatedDecision Support Tool For Dynamic Job Shop Scheduling785 Words   |  4 PagesTOOL FOR DYNAMIC JOB SHOP SCHEDULING ATIKAH BINTI SELAMAT (FA12015) SUPERVISOR: DR. 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After that the essay will connect MPC and the 5 problems to find solutions which are production scheduling, engineering control, ISO 9000 or six sigma quality control systems, ICTs systems for communicating and just in time (JIT). Finally the writer will show the summary of this study. 2. Introduction Medtech is an electronics equipment manufacturer for producingRead MoreThe Machine Time Span1254 Words   |  6 Pagesin each case, it is assumed that the machine time is known as soon as it occurs. This machine has a direct consequence on the number of operation that is fixed and indirectly reflects on the total number of operation present in the potential re-scheduling. Instances of the job shop problem (10x10, 8x15, 5x10, 10x 15, 5x15, 5x20, 6x24, 10x20,) are considered. Two machines can influence the decision variables. Several cases with different values of this parameter are studied. The different simulationsRead MoreFactors affecting women entrepreneurs success1224 Words   |  5 Pages1-1 Introduction to Operations Management Operations Management William J. Stevenson 1-2 Introduction to Operations Management Operations Management Figure 1.1 The management of systems or processes that create goods and/or provide services Organization Finance Operations Marketing 1-3 Introduction to Operations Management What Do Operations Managers Do? †¢Ã¢â‚¬ ¯ What is ‘Operations’? †¢Ã¢â‚¬ ¯ †¢Ã¢â‚¬ ¯ a function or system that transforms inputs into outputsRead MoreFhe Case Study1026 Words   |  5 Pagesthe new-product development process at FHE? 2) What could be done to clarify the organizational relationship between product managers, technical program managers, and manufacturing managers? 3) What can be done to better manage the workload of the engineering services department? 4) Evaluate the plans and the expected results from the new CAD-CAM system. Analysis Question 1 What steps should Donaldson take to improve the new-product development process at FHE? Restructuring PhilRead MoreThe Dairy Product Lewis Creamery Chocolate Milk1435 Words   |  6 Pages1.0 Introduction The report is going to analyze the dairy product-Lewis Creamery Chocolate Milk using manufacturing planning and control (MPC) system. Firstly, it will illustrate some background information of the shortage of Lewis Creamery Chocolate Milk and presumably the reason of the shortage was because the company did not implement the MPC system and then carried on by introducing the manufacturing planning and control (MPC) framework, which may help the company to overcome the shortage ofRead MoreMarkeeting962 Words   |  4 Pages1-1 Introduction to Operations Management Operations Management William J. Stevenson 8th edition 1-2 Introduction to Operations Management CHAPTER 1 Introduction to †¨ Operations Management McGraw-Hill/Irwin Operations Management, Eighth Edition, by William J. Stevenson Copyright  © 2005 by The McGraw-Hill Companies, Inc. All rights reserved. 1-3 Introduction to Operations Management Operations Management Figure 1.1 The management of systems or processesRead MoreNew Crossover Operator Based On The Machine And Mutation Operator1486 Words   |  6 PagesAbstract - To solve the job shop scheduling problem more effectively, some genetic operators were designed. In order to increase the diversity of the population, a mixed selection operator based on the fitness value and the concentration value was given. To make full use of the characteristics of the problem itself, new crossover operator based on the machine and mutation operator based on the critical path were specifically designed. To find the critical path, a new algorithm to find the critical

Some Interpretations Have Portrayed Tragic Heroines Free Essays

Some Interpretations Have Portrayed Tragic Heroines as Manipulative Plotters Driven by Passionate Desires. Others Have Seen the Tragic Women as Victims of Powerful Individuals or Society as a Whole. Bearing in Mind By Troubleshoots Gertrude is a very minute character in Hamlet, yet the same cannot be said about her impact on the action of the play. We will write a custom essay sample on Some Interpretations Have Portrayed Tragic Heroines or any similar topic only for you Order Now Certain audiences view Gertrude in different ways, some sympathies with her as a character, and see her actions as empowering towards women as a whole, letting loose of the social conventions of the Shakespearian era, in addition to being a caring mother. However, I feel there are two options that can be seen here concerning Gertrude as a person, and neither of them are positive, as the only two plausible ways in which her character can be based on is a manipulative plotter, or one who is simply invested in her own ignorance. Considering her lack of concern for the social conventions of the time, alongside poor ways of dealing with an unstable son, it is my personal opinion that Shakespeare intended Gertrude to be seen as a manipulative plotter, rather than a woman who epitomized a tragic heroine. To begin assessing how much of a tragic heroine Gertrude really was, it is imperative o assess the tragic conventions of the time. ‘A hero must fall from fortune and power, with a tragic flaw allowing the reader to empathic with the character’ (Aristotle 335 BCC) In addition to this, Shakespearean tragic conventions also suggest that a tragic heroine must show promise of further greatness and possess a character trait that would normally be a virtue, but under the circumstances of the play become a flaw. On the surface my repudiation of Gertrude as anything other than a manipulative plotter may seem a brash claim; at least it does until we are met with the way she infernos Claudia in Act 2 Scene 2. Her line thanks Guilelessness, and gentle Restaurants’ (2:2:34) is used either to correct what Claudia said Just before her, or is simply her mistaking between Restaurants and Guilelessness. I think it is obvious that it is merely Gertrude correcting Claudia, as if the line were meant to be said with indecision, Shakespeare would have most likely used a question mark in the speech in order to highlight that Gertrude was meant to say the line with a certain amount of uncertainty. This shows that whilst the nature of the line may have been unsorted as one that was merely of her own confusion, I maintain the claim that it is far more likely that Shakespeare intended for this to be an indication of Gertrude out for – one who is devious, scheming and willing to plot. Considering that the social conventions of the time dictated that women were to be inferior to men, the idea of correcting a man without even a hint of uncertainty portrays to a Shakespearian audience an ignorance of social values; in my opinion this is used as a subtle hint early on to make the audience know that this is a character to watch out for, as her expedient nature percolates and promulgates itself to the audience throughout the rest of the play. Whilst it may be conceded that a modern audience would see Gertrude in a less damning way, we cannot ignore the fact that this wildly contradicts the idea of a tragic heroine being one that the audience can empathic with, nor does it show any evidence of her having a virtue which would turn out to be a flaw. Gertrude moral turpitude is pumped at relentlessly throughout the play, and is shown further in Act 2 Scene 2, where Gertrude is shown without ambiguity or doubt hat she is aware of Hamlet’s grief ‘l doubt [Hamlet’s upset] is no other but the main: His father’s death and our detracts marriage’ (2:2:56), dispelling any possible nature that Gertrude does not know what is wrong with Hamlet. Despite this, she makes no effort to console Hamlet, and merely accepts the very brief Well, we shall sift him’ reply that is given by Claudia. This meaner one of two things: that she is unable to think or speak for herself, or able to speak up but unwilling. Considering that she had already corrected Claudia earlier in the play, it thus follows that this line was not en that showed her as a victim of powerful individuals as she has already proven earlier that she is not a mindless sycophant. When we are to consider that her son has been horrifically upset to the point where he is bordering on insanity, and the reason for this is because of Gertrude marriage to his brother only two weeks after the death of his father (for whom he had the greatest admiration) yet still felt no need to console him, I would argue that by her inaction what she did was indicative of a manipulative plotter. Not only this, but her status as a tragic heroine is dispelled, s simply allowing one’s own flesh and blood to suffer is the direct antithesis of what it meaner to be a tragic heroine: ‘a character which allows the audience to empathic with them’. I feel that this is strong evidence for her status as a manipulative plotter. It is not only in Gertrude treatment of Hamlet that her manipulation is evident, but in her behavior towards other characters. The Queen’s hostility towards Aphelia initially appears through sophisticated strategies of aggression, but the increasing dangers force stronger defenses. Whether resulting from physical action or ethical taxation, the Queen is culpable in the death of Aphelia† (Lobber, Harmonic 2004) The quote above suggests motives for Gertrude in killing Aphelia, and thus truly securing her status as a manipulative plotter, and one completely incapable of fitting the definition for a tragic heroine. Of course, interpretation of Gertrude is a difficult thing, and a large part of this is due to Shakespeare giving Gertrude very few spoken lines during the play, yet this does seem odd considering that her role is so crucial to Hamlet’s suffering. So why does Shakespeare do this? Personally, I feel her infrequent appearances, yet essential role are placed within the play in order to create a sense of suspicion about Gertrude, to keep the audience wondering about where Gertrude be said that this quote is not enough to completely condemn Gertrude. However, when all the evidence piles up, Shakespeare creates a special bond between Aphelia and Gertrude, particularly when we look at the following interpretation â€Å"the language of flowers creates a relationship that in effect places them in close proximity’ (Radcliff, S – 1998) which again implies that Shakespeare purposely rated closeness between these two in this scene for a purpose, and I feel that in creating this bond Shakespeare was effectively offering Gertrude a chance to be seen as a tragic heroine, yet we know that at the very least she was passive or unable, both of which contradict the supposed nobility of a tragic heroine. That said, I think that the closeness created by Shakespeare was to show that Gertrude actually did have the chance to save Aphelia, and if he had not used the language of flowers in such a way, it would have shown Gertrude inability rather than her nature as a manipulative plotter. This is supported by the fact that Gertrude ‘kills’ Aphelia from the play, and whilst I realize it is completely impossible to prove the speculations about off-stage events, she does in fact ‘kill her’ off from the play, as she is the one who reveals her death, making it far too coincidental for it to be unintentional, and in my opinion the most obvious interpretation seems to me that Gertrude is meant to be seen as a manipulative plotter. In conclusion, I do feel that Shakespeare intended Gertrude to be a manipulative plotter, as every possible moment of niceness she portrays within the play, in my pinion can be countered with at least an equally good reason as to why she could have done so in a meticulously fetid way. Even when we consider her name ‘Gertrude’, the sounds of the g and the ‘r’ are harsh sounding, and this could well have been done in order to create an immediately disliked and nasty character. Her ignorance is a possible interpretation, but upon further exploration of her lines we have discovered that she is aware of why Hamlet is upset, and yet still chooses to take no act to relieve this. We have seen compelling evidence from other critics to suggest her involvement in Aphelion’s death, combined with several remarks that come off as at the very least petty, if not malicious, in addition to the chances she has to make a big difference in the play, yet seems either incompetent or scheming. How to cite Some Interpretations Have Portrayed Tragic Heroines, Papers

The Popularity of Computer Animated Movies Essay Example For Students

The Popularity of Computer Animated Movies Essay Since Pixar’s release of the groundbreaking blockbuster, Toy Story (1995), computer animation has become hugely profitable and popular with audiences. The 3 dimensional cartoon platform engages audiences in a variety of ways. At first glance they act as an unworldly ‘kidified’ visual spectacle, however once you dig deeper you understand a true care and precision placed into the filmmaking that attracts audiences through other means. The social commentary that runs throughout these family oriented films encourages audiences to challenge their own moral integrity. Likewise, an engagement through humor, both slapstick and implicitly adult makes watching such features with children a satisfying experience, rather than a parental endurance. In my essay I will cover potential social, economic and political factors that contributed to the genre’s development and question why audiences continue to respond to these features in such a positive manner. The Golden Age of Animation was the ‘remarkable period in the late Thirties and early Forties, when Walt Disney transformed the movie industry with a visionary zeal and unbroken string of hits (Lee M, 2009). We will write a custom essay on The Popularity of Computer Animated Movies specifically for you for only $16.38 $13.9/page Order now His artistic creations helped animation thrive, in a way that granted it commercial recognition and popularity from the public. Unfortunately, soon after this booming era, which brought us unforgettable classics such as ‘Bambi’ (1942) and ‘Pinocchio’ (1940) the animated film industry faced a serious downfall in both reputation and sales. Some argue this was caused by ‘Chuck Jones at Warner Brothers on at children’s hour. (O’Harra H, 2007) Although the movement from cinema to television made cartoons popular with children, it unintentionally created a ‘60’s and 70’s Saturday morning animation was just for kids. ’ (O’Harra H, 2007) This meant that adults rarely invested money in animated features, especially when their children could watch these comically entertaining ‘distractions’ at home for free. It was debatably not until the 90s that animated features made a profitable come back. This was arguably because John Lasseter, the creator of the ‘innovative, self-shadowing 3d animated short Luxo Jr’ (Garcia C, 2013) joined Steve Jobs’ pioneering computer Animation Company ‘Pixar’ and created ‘Toy Story’ (1995). The combined forces of Jobs’ ‘PhotoRealistic RenderMan’ (RenderMan, 2013) programming skills and Lasseter’s belief that although ‘art challenges technology, technology inspires art’ (Lasseter, 2012) there was no doubt the first feature length computer animated movie would be a huge success. A ‘3 Oscar nominated,’ (IMDB, 2013), rare 100% rating on Rotten Tomatoes’ (2013) and ‘$200 million domestic grossing’ (Box office Mojo, 2013) success, to be precise. The CGI (computer animated images) offered audiences a unique visual spectacle that ‘people got excited about initially because it was generated with a computer. ’ (Garcia C. 2013) This made viewers feel like a privileged insider, and satisfied their ‘self-esteem needs’. (Maslow, 1943) In application to Maslow’s needs theory, audiences felt a sense of trust with the moviemakers as they were provided with a sufficient cinematic experience unlike any other. Additionally, Pixar, ‘the first and remains the most successful animation company’ (O’Harra H, 2007) continues to retain the trust of its audiences and distribute brilliant movies: 12 out of 14 were Oscar nominated, and a majority of them are on ‘IMDB’s top 250 movies. ’ (IMDB, 2013) The ‘commitment-trust theory of relationship marketing’ (Robert M, 1994) can be applied to Pixar. This is because the well-established production company continues to provide audiences with consistently quality films. Hence, they maintain their brand identity, cater to consumer demand and sway audiences to watch their films over others. Furthermore, with this new style of film’s success, computer animation has spawned what John Lasseter ‘who is currently Disney’s animation chief creative officer a second golden age of animation. ’ (Lee M, 2009) He goes on to say in an interview, after Disney bought Pixar ‘for $7. 4billion’ (La Monica P, 2006) that ‘people began to think for the feature animation business, it is impossible that more could be less. ’ (O’Harra H, 2007) The backlash of computer animations popularity is that in recent years 2D animation has fallen significantly in Hollywood cinema. As of early 2013, Bob Iger the chief executive of Disney, stated ‘to my knowledge we’re not developing hand drawn animation as it’s largely for television at this point. We’re not necessarily ruling out the possibility a feature but there is not any in development at the company. ’ (Child B. 2013) One would believe that this meant ‘the general consensus that audiences not want to watch hand-drawn animated films. ’ (Child B. 013) Potentially because computer animated features offer more appealing textures, backgrounds and animated physics which although cartoony are generated to look realistic. Warner Brothers’ ‘Happy Feet’ (2006) like many others CGI films use renderings that make every single piece of fur on the penguins move, as if wind was hitting it. .u5bff38320edfd3044dc26842b566a964 , .u5bff38320edfd3044dc26842b566a964 .postImageUrl , .u5bff38320edfd3044dc26842b566a964 .centered-text-area { min-height: 80px; position: relative; } .u5bff38320edfd3044dc26842b566a964 , .u5bff38320edfd3044dc26842b566a964:hover , .u5bff38320edfd3044dc26842b566a964:visited , .u5bff38320edfd3044dc26842b566a964:active { border:0!important; } .u5bff38320edfd3044dc26842b566a964 .clearfix:after { content: ""; display: table; clear: both; } .u5bff38320edfd3044dc26842b566a964 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5bff38320edfd3044dc26842b566a964:active , .u5bff38320edfd3044dc26842b566a964:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5bff38320edfd3044dc26842b566a964 .centered-text-area { width: 100%; position: relative ; } .u5bff38320edfd3044dc26842b566a964 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5bff38320edfd3044dc26842b566a964 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5bff38320edfd3044dc26842b566a964 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5bff38320edfd3044dc26842b566a964:hover .ctaButton { background-color: #34495E!important; } .u5bff38320edfd3044dc26842b566a964 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5bff38320edfd3044dc26842b566a964 .u5bff38320edfd3044dc26842b566a964-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5bff38320edfd3044dc26842b566a964:after { content: ""; display: block; clear: both; } READ: The Princess Bride - Book and Film EssaySupporting ‘Blumer and Katz, uses and gratification theory’ (Blumer J, 1974) this natural movement on screen helps audiences identify with the characters on a deeper scale as their ‘appearances has been deliberately altered to provide a cute, wide-eyed look that appeals to humans ideals of beauty. (Grahame J, 2006) Their delightful expression helps audiences relate to characters because they are at awe at the aesthetically pleasing animation. On the other hand, Lasseter believes that blaming the fail of traditional animation solely on visuals ‘is completely ridiculous unfortunately 2D became an excuse for po or storytelling. ’ Todorov’s narrative theory states ‘all stories begin with equilibrium, face disequilibrium, and then end with a resolution. ’ (1978) In order to make animated films follow this narrative structure characters need to be relatable. This is why most characters within animated films, whether it creatures ‘Monsters Inc. ’ (2001) or inanimate objects ‘Cars’ (2006) are personified. Such a personification then allows an emotional bond to form with universal audiences as these characters troubles and triumphs are ‘merely represented as a projection of human desires. ’ (Grahame J, 2006) These narrative arcs also allow writers to lace these films with intertextual-references and adult jokes, which both media literate parents and young children from around the world can enjoy, even though they interpret the humour differently. On top of this computer animated storytelling also provides more leeway for unique creative storytelling, which perhaps could never be achieved cheaply in live action filming. However, one could oppose this by arguing these methods of film making have always been associated with animation, since the earliest form of 2D animation such as Walt Disney’s’ debut ‘Steamboat Willie’. (1928) Other factors also contribute to the genres popularity. Shark Tale (2004) is a computer-animated movie with a wide range of A-list celebrities ranging from Will Smith to Robert De Niro. The hiring of famous stars to voice characters helps market films because audiences tend to determine a movies success on the reputation of the cast and company involved in its creation. Additionally, characters being voiced by actors who are typecast in certain ways, helps establish animated personalities. For example audiences immediately associate Smith as being urban and street smart, and understand De Niro’s association with Italian American organised crime, whether or not they are in an animated fishlike shell. Likewise, directors are as eager to get involved in the production of these features as celebrities are. Spielberg’s film ‘The Adventures of Tin Tin’ (2011) uses computer animation along with in studio motion-capture to give his animation a more realistic feel, yet retain the traditional ‘Tin Tin comic book’ (Remi G, 1929- 1976) look. This way of filming is hugely popular because it mirrors realism, but reminds the audience it is a fictional story made to ‘entertain. ’ (Blumer J, 1974) Raymond Chandler once stated ‘modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn. ’ Supporting this, although certain animation looks genuine, Lasseter insists a ‘good animator must not provide films that are realistic; a good animator must tell stories that are believable. ’ (Lee M, 2009) By following this approach to filmmaking audiences are allowed to fully immerse themselves in fictitious worlds, thus catering to their ‘entertainment needs’ and ‘evoking a sense of relaxation and passiveness that only ends when finishes’. Shrum. L. 2004) However, motion capture movies are sometimes unappealing for child audiences and the blunt realism tends to appeal to more adult demographics. A prime example would be the certificate15 ‘Beowolf’ a CG animated feature that clearly shows the famous cast in their animated form. The film’s acclaim was that ‘by imagining the distant past so vividly, Zemeckis and his team prove that character capture has a future. (Corliss R, 2007) Unfortunately, this is still the case as there have been under 10 Hollywood produced character capture feature length films to date. Arguably, the only problem with computer animation is that since the constant success of previous CGI films, audiences are more critical of the new. This means that independent animated films seem to be less successful at the box office. .u32efb5fc09708efd40c9174ce9565ac8 , .u32efb5fc09708efd40c9174ce9565ac8 .postImageUrl , .u32efb5fc09708efd40c9174ce9565ac8 .centered-text-area { min-height: 80px; position: relative; } .u32efb5fc09708efd40c9174ce9565ac8 , .u32efb5fc09708efd40c9174ce9565ac8:hover , .u32efb5fc09708efd40c9174ce9565ac8:visited , .u32efb5fc09708efd40c9174ce9565ac8:active { border:0!important; } .u32efb5fc09708efd40c9174ce9565ac8 .clearfix:after { content: ""; display: table; clear: both; } .u32efb5fc09708efd40c9174ce9565ac8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u32efb5fc09708efd40c9174ce9565ac8:active , .u32efb5fc09708efd40c9174ce9565ac8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u32efb5fc09708efd40c9174ce9565ac8 .centered-text-area { width: 100%; position: relative ; } .u32efb5fc09708efd40c9174ce9565ac8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u32efb5fc09708efd40c9174ce9565ac8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u32efb5fc09708efd40c9174ce9565ac8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u32efb5fc09708efd40c9174ce9565ac8:hover .ctaButton { background-color: #34495E!important; } .u32efb5fc09708efd40c9174ce9565ac8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u32efb5fc09708efd40c9174ce9565ac8 .u32efb5fc09708efd40c9174ce9565ac8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u32efb5fc09708efd40c9174ce9565ac8:after { content: ""; display: block; clear: both; } READ: What aspects of a film might determine its genre? EssayThe lowest grossing animated release was ‘Freestyle Realsings – Delgo. ’ The film had a ‘$40 million budget didn’t even manage to make $1 Million. (Steven N, 2009) Perhaps the film was unsuccessful due to its ‘unoriginal civil war storyline’ or ‘boring battles and flat jokes’ (Horwitz J, 2008) however winning the best picture in the ‘Brazilian film festival Anima Mundi’ (2008) revealed a lack of promotion contributed to its fail. Lasseter states ‘merely being a computer animated movie is no longer enough to ensure bumper box office’ a lthough they were once seen as ‘the safe, flop proof arm of Hollywood toon’s take as much fortitude as the rest of the industry. ’ (O’Harra H, 2007) Correspondingly, around the years of the global recession, (2007 2009) there was a significant downfall in cinema attendance. (Theatrical Market, 1995 – 2013) This meant audience’s began to become more selective of the movies they paid to watch. Walt Disney once said ‘youre dead if you aim only for kids, adults are only kids grown up anyway. ’ (Lee M. 2009) This could be applied to most modern computer animated films as they are deliberately made so that the whole family can enjoy. The efficiency of going to see family movies in the cinema appeals to viewers, as it is a cheap way of socializing. Love needs’ (Maslow, 1945) are interpersonal, and this time spent with ones family at the cinema makes individuals feel a sense of belongingness, and feel cared about. The interaction therefore caters to ones ‘self-actualization’ needs, which Maslow states are ‘fundamental to our motivation and personality, hence leads to our happiness. ’ (Maslow, 1945) Cinematic companies such as ‘Vue’ even offer ‘Kids AM’ programs in an attempt to encourage families to watch (CGI) movies at the cinema for discounted prices. This benefits institutions like Pixar and DreamWorks as even during the financial crisis they unite fragmented audiences, thus gaining higher revenue. Most importantly, as modern computer generated animation has become so reputable and respected, animation is no longer considered to offer audiences a ‘reconstructed world of lines and colours, which subjugates and alters itself at your command. ’ (Grahame J, 2006) They instead capture relevant grounded scenarios, in the hope that global audiences understand the moral messages laced within and apply them to their own lives. An ideology of filmmaking that was inspired by Walt Disney’s death wish: that his fiction ‘should be something that improved societies not distract them. ’(Simon B, 2010) Most computer-animated narratives tend to take subjects and turn them on their heads. The satirical subject of a robot showing mankind how to live in the ‘postmodern masterpiece’ (Dreher R, 2008) ‘WALL-E’ teaches an audience the importance of looking after our world, instead of succumbing to the lazy life technology has made for us. Such a ‘critique of modernity’ (Dreher R, 2008) allows these seemingly childish movies, to have an influential power that contrasts social preconceived conceptions, and creates political awareness, whilst still being entertaining. There are various theories that ‘film is imploding. ’ (Spielberg, 2013) The film industry as a whole has faced a serious loss of sales to competitors, the games and television industries. Alongside the global recession, which occurred in recent years, now more than ever it is important for filmmakers to generate a unique engaging cinematic experience that is not ‘just TV in public. (Tarantino Q, 2012) I believe that computer animated and motion capture features ‘have a future that is only just emerging’ (Goodridge M, 2008) and can be the way to bring fragmented audiences back to the cinema. However, although we have advanced in technology, bringing us the wonders of computer animation, what makes global audiences enjoy animated movies is the combination of a well thought out narrative and in depth identifiable characters, not just the visuals employed in front of them.